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Topic: TILT - topical Radio 7 comedy |
sootyj

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April 8, 2008, 4:56 PM BST
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Very good.
The ASDA of satire.
AKA Da Pun-da-mentalist
AKA 3rd Chuckle Brother
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sootyj

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April 9, 2008, 6:05 PM BST
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http://forums.chortle.co.uk/viewtopic.php?p=262440&sid=a5675f30ce623064ec89da467df8b60f
Thought you might like to know Victoria seems to be discussing Tilt on Chortle.
The ASDA of satire.
AKA Da Pun-da-mentalist
AKA 3rd Chuckle Brother
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jdubya
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April 9, 2008, 6:10 PM BST
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well that was informative... Cheers Sooty
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Splodge
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April 10, 2008, 6:34 PM BST
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Last week's show was better on a second listen but did anyone go to this week's recording?
Am I right in saying that if you haven't heard anything back by now then it's more than likely that you haven't got anything in the show this week? Or is it a listen and find out affair?
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David Chapman
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April 10, 2008, 11:59 PM BST
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Don't you think the girl of the 2 children reading the news sounds remarkably like the little girl in Absolutely?
Playwrite extraordinaire.
http://www.eols.org.uk/
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zooo

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April 11, 2008, 12:09 AM BST Edited by zooo on April 11 2008, 12:09 AM BST
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sootyj

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April 11, 2008, 12:14 AM BST
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I heard it, it was actually pretty good.
I think Thursday afternoon is the usual time to hear from Tilt.
Keep reaching for that rainbow.
The ASDA of satire.
AKA Da Pun-da-mentalist
AKA 3rd Chuckle Brother
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zooo

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April 11, 2008, 12:19 AM BST
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ContainsNuts

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April 11, 2008, 9:32 AM BST
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I thought this was much better. Nice pace, still don't like the baby news or the Ruth government sketches but the rest was quite good. I liked the three pigs movie clip.
Some people may call me a genius - let me know if you see any.
http://containsnuts.wordpress.com/
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Sofa_Matt

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April 11, 2008, 9:48 AM BST
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Not a bad episode. I find myself asking the question, how much of this was written in the last week? Most of this would seem to be a collection of the shows main writers skits that may have been written some time this year.
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sootyj

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April 11, 2008, 9:53 AM BST
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They have commissioned writers, none commissioned who write in advance (a month or so), and commissioned writers who were also writing in advance. So I would guess they're only looking for about half a dozen skits a week.
I mean it makes sense, the closing submission date is Tuesday afternoon, the play date is Thursday afternoon
Probably leaves only a day, and a half to rehearse new stuff.
I love NR, but look at how rough there stuff is with 2-3 days of rehersal.
The ASDA of satire.
AKA Da Pun-da-mentalist
AKA 3rd Chuckle Brother
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chipolata
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April 11, 2008, 10:05 AM BST
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Quote: Splodge @ April 10 2008, 6:34 PM BST
Last week's show was better on a second listen
View original
It's hard enough getting through it once, let alone twice.
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Hennell

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April 11, 2008, 10:31 AM BST
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Quote: sootyj @ April 11 2008, 9:53 AM BST
They have commissioned writers, none commissioned who write in advance (a month or so), and commissioned writers who were also writing in advance. So I would guess they're only looking for about half a dozen skits a week.
I mean it makes sense, the closing submission date is Tuesday afternoon, the play date is Thursday afternoon
Probably leaves only a day, and a half to rehearse new stuff.
I love NR, but look at how rough there stuff is with 2-3 days of rehersal.
View original
It's recorded on a Wednesdays to give them time to edit, so there's even less time to rehearse then that (Although they'd perform with script in hand making it a lot easier then a live show)
It would be intresting to see a breakdown of what was actually non-commissioned; there's quite a few elements that I'm guessing are mostly advanced writers stuff. (I still don't feel the headlines/spoof news part has really materialized anywhere.)
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sootyj

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April 11, 2008, 10:34 AM BST
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You're right it's only a day.
I'm not sure having the scripts, makes to much diference to the actual performing.
The ASDA of satire.
AKA Da Pun-da-mentalist
AKA 3rd Chuckle Brother
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chipolata
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April 11, 2008, 10:37 AM BST
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I think a lot of these shows start with good intentions, but pretty soon the shear logistics of trying to sift through all the non-commissioned material becomes too much and they fall back on a small pool of writers known to them.
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